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Game

Almeida Theatre, London

2014

[ 59 Provided ] - ,

An unnervingly intimate viewing experience

In a housing crisis, a young couple are offered a home of their own. But at what price?

The world premiere of this provocative new play by Mike Bartlett invited us to spy on a family as they embark upon a dangerous new way to live.

Game audiences saw the Almeida auditorium radically transformed in a production that offered an unnervingly intimate viewing experience.

This production reunited writer Mike Bartlett (Earthquakes in London, Cock,King Charles III) with acclaimed director-designer duo Sacha Wares and Miriam Buether (Wild Swans, Sucker Punch, My Child, generations).

Opened 2014

Almeida Theatre, London

[ 59 Provided ] - ,

★★★★
Game simmers and stews on many levels: it’s about the housing crisis, but it’s also about class war, about the growing unkindness in our society, about reality TV and about how all these things form a vicious circle feeding into each other.
Timeout
★★★★
An ingeniously executed evening… it will stay in the mind as an extreme vision whose most unnerving message (not a new one) is that computer games could encourage the seeing of people as cyphers and of death as a sport
Observer
★★★★
The concept is sick, simple, brilliant. The execution is all-important, and it’s handled here with exemplary finesse by the director and design team of Sacha Wares and Miriam Buether. The Almeida auditorium has been drastically remodelled: the audience, parcelled into four groups of spectators, take their pews in dark, camouflage-draped “hides”, viewing the action via TV monitors with direct sight into the mocked-up, two-floor living space also granted by rising and falling shutters. Headphones relay voice-simulated instructions and live-feed dialogue.
The Telegraph
Sacha Wares’s production, Miriam Buether’s set and Leo Warner’s video design display immense skill in synchronising all the play’s ingredients. Jodie McNee and Mike Noble also capture the pathos of a young couple whose instinctual love and affection is turned into mercenary target practice, and Kevin Harvey as the warden in charge of the shooting effectively reveals a growing social conscience. It is all done with fiendish cleverness.
The Guardian
it’s a technical masterpiece of overlapping performance and pre-recording, blended with quirky retro-HUD graphics and spot-on dystopian idents
Exeunt Magazine

The concept is sick, simple, brilliant

Credits

Writer
Mike Bartlett

Director
Sacha Wares

Design
Miriam Buether

Video Design
59 Productions

Lighting Designer
Jack Knowles

Sound Design
Gareth Fry

Costume Design
Alex Lowde

Movement Director
Leon Baugh

59 Team

Creative Director
Leo Warner

Lead Assistant Designer + Animator
Gareth Damian Martin

Programmer
Max Spielbichler

Animator
Georgia Clegg